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Publications

Monographs
– Coleccionismo y literatura. Madrid: Cátedra, 1999. 338.
– Religiosidad cotidiana en la narrativa reciente hispanocaribeña. Prólogo de María Kodama de Borges. Lausanne: HISPANICA HELVETICA 3(1992). 202.

Edited Books
–
Vivir lo breve: nanofilología y microformatos en las letras y culturas hispánicas contemporáneas (co-editor Ottmar Ette). Madrid: Iberoamericana/Vervuert, 2020.
– Social Entrepreneurship for Water & Energy Solutions. (Ed. with Roberto Gutiérrez), 2018.
–
Business Fiktionen. Peter Lang/Reihe Literatur – Kultur – Ökonomie, 2017.
–  LebensLang – LebensLust (Ed. with Ottmar Ette). Berlin: POINTS/Verlag Walter Frey, 2015 [in press].
– Cruzar las Américas. Iberoamericana, IILI, University of Pittsburgh, 2014.
–
Transculturalism and Business in the BRIC States. A Handbook. (Ed. with Claudia Franziska Brühwiler). London: Ashgate/Gower, 2015.
– Fronteras nebulosas. El potencial de los espacios ambiguos (with Júlia González de Canales Carcereny, «Presentación» by the Editors by Fernando Aínsa, Mª Jesús Buxó Rey, Sergio Chejfec, Ottmar Ette and Enrique Vila-Matas). Iberoamericana. Dossier. 2014, Nr. 54, 79-151.
– LebensMittel (co-edited with Ottmar Ette/Veronika Sellier). Zürich: diaphanes, 2013: 224.
– Poéticas del fracaso. Frankfurter Studien zu Iberoromania und Frankophonie, Band 1 (co-edited with Roland Spiller). Tübingen: Gunter Narr/A. Francke, 2009: 272. 
– Gustav Siebenmann. Aus meiner Bodega. Feuilletons aus sieben Jahrzehnten. Tübingen: Gunter Narr/A.Francke, 2008: 278. 
– Fehler im System. Irrtum, Defizit und Katastrophe als Faktoren kultureller Produktivität (co-edited with Felix Philipp Ingold). Göttingen: Wallstein Verlag, 2008: 381. 
– Die Schweiz ist Klang (co-edited with Joseph Jurt/Ottmar Ette). Basel: Schwabe & Co., 2007: 156.
–  La poética de la mirada (co-edited  with Roland Spiller). Madrid: Visor, 2004: 232.
–  Cuentos de humo. Madrid: Siruela, 2001: 252.
–  Por orden alfabético. ARBA (Acta Romanica Basiliensia) 12. Basel: Romanisches Seminar, 1999: 151.

Articles
–  «Kirol-nitxoak literaturan». Mari Mar Boillos/Jon Kortazar (eds.). Egungo Euskal Literatura eta Futbola. Bilbao: Universidad del País Vasco/Euskal Herriko Unibertsitatea: Servicio Editorial D.L., 2020: 19-26.
–
«Solo para letraheridos». Enfermedad y literatura: entre inspiración  y desequilibrio. Kassel: Edition Reichenberger, 2020, pp. 255-266.
– «Doble condensación: los micropoemas y sus prominentes títulos». Itzíar López Guiol, Dayron Carillo Morell (eds.). El título del poema y sus efectos sobre el texto lírico iberoamericano. Berlin: Peter Lang, 2019, pp. 257-298.
–  «Nichos deportivos en la literatura».Boletín Hispánico Helvétic. (33-44), 2019, 173-182.
–
«Cut and paste: Künstlerische Transplantate an Körper und Corpus». Ottmar Ette, Uwe Wirth (eds.). Kulturwissenschaftliche Konzepte der Transplantation. De Gruyter, July 2019: 199-211.
– With co-authors Claudia Brühwiler/Patricia Egli. «The ICRC at a Crossroads: Swiss Roots-International Outlook». Journal of International Humanitarian Action, 94:13, July 9, 2019.
– «Literatura e Arte Latino-Americanas hoje: Boom ou Bolha?». Literatura e outras artes na América Latina. Campinas: Pontes Editores, 2019.
– «Management-Konstrukte: Celestina als Unternehmerin». Kurt Hahn/ Liebermann (Hrsg.). Finanznarrative als Krisennarrative: Literarische und filmische Modellierungen "kapitaler" Erschütterungen. Berlin: Peter Lang, Reihe „Literatur – Kultur – Ökonomie“, 2019.
–  «La instrumentalización múltiple del fútbol frente a las ficciones pilladas a contrapié». Thomas Fischer/ (Ed.). Fussball und Gesellschaft in Lateinamerika. 2018.
–
«TransArea Fussballstadion: Sublimiertes Lebenswissen im Zusammenspiel mit literarischen Kurzformaten». Patricia Gwozdz/Markus Lenz (Hrsg.). Literaturen der Welt. Zugänge, Modelle, Analysen eines Konzepts im Übergang. Heidelberg: Universitätsverlag Winter, 2018: 429-442.
–  «Einführung» und mit Co-Autor Günter Müller-Stewens. «Immer auf der Kippe: Manager in der Fiktion – Fiktion im Management». Yvette Sánchez (Hrsg.). Business-Fiktionen und Management-Inszenierungen. Peter Lang, Berlin, 2018: 1-19 und 23-47.
–  «’La muñeca viviente’ y su abanico de interfaces (Antonio Orlando Rodríguez: Chiquita)». Adriana López-Labourdette/Claudia Gronemann/Cornelia Sieber (Eds.). Cuerpos extra/ordinarios. Barcelona: Linkgua, 2017: 213-233.
–   «The Contingency of Cultural Negotiations in Cross-Border Networks – The BRICS Case.» Stephanie Wodianka, Christoph Behrens (Eds.). Chaos in the Contact Zone. Unpredictability, Improvisation and the Struggle for Control in Cultural Encounters. Bielefeld: transcript Verlag, 2017: 159 – 179.
–   «Fälschungen als Systemfehler oder Faktor künstlerischer Produktivität?» Thomas Hunkeler, Sophie Jaussi, Joelle Légeret (Eds.). Produktive Fehler, konstruktive Missverständnisse. Colloquium Helveticum, Bielefeld: Aisthesis, 46/2017: 14–31.
–   «Die US-Latinos in der Ära Trump: Grosse allgemeine Verunsicherung.» swissfuture – Magazin für Zukunftsmonitoring. Luzern: Schweizerische Vereinigung für Zukunftsforschung, 2017: 7– 10.
–  «Die US Latinos – ein transkulturelles Rollenmodell?» Claudia Franziska Brühwiler (Ed.) Denkanstösse. Perspektiven auf Flucht und Migration. University of St.Gallen, 2016: 69-77.
–   «La Construcción de un mapa de no-lugares: poetas españoles en EE.UU.» Julio Prieto and Ottmar Ette (Ed.). Poéticas del presente: perspectivas críticas sobre poesía hispánica contemporánea. Frankfurt am Main/Madrid: Iberoamericana/Vervuert, 2016: 339-355.
–   «Gleiten durch Räume und Bücher hin zu einem bewegten Leben: Poetische Scapes in der Prosa von Valeria Luiselli und Enrique Vila-Matas.» Albrecht Buschmann et al. (Ed.). Literatur leben. Festschrift für Ottmar Ette. Iberoamericana/Vervuert, 2016: 453 - 463.
– «Introducción.» (co-authored by Valeria Wagner). Yvette Sánchez/Valeria Wagner (Ed.). Cruzar las Américas. Perspectivas hemisféricas en lenguajes, literaturas y culturas visuales. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, 2016: 113 – 126.
–
«Movilidad cultural y conmutación carnavalesca: la reciente literatura latina en USA.» Yvette Sánchez/Valeria Wagner (Ed.). Cruzar las Américas. Perspectivas hemisféricas en lenguajes, literaturas y culturas visuales. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, 2016: 113 – 126.
–  «Literatura y Arte latinoamericanos Hoy: ¿Boom o Burbuja?» Alea. Rio de Janeiro, Vol. 18/2, 2016: 296-312.
– «Kein Vorspiel ohne Nachspiel. Quellen der Lust und der Ernüchterung auf der lebenslangen Endlossschleife.» Ottmar Ette, Yvette Sánchez, Veronika Sellier (Eds.). Lebenslang Lebenslust. Berlin: Edition Tranvía/Verlag Walter Frey, 2015: 85-103.
–
«Das mysteriöse Eigenleben harter und weicher Traumsymbole.» G.A.S-Station (Ed.). Augustina träumt in progressius – 27 Positionen aus Kunst und Wissenschaft im Kontext zu literarischem Text. Berlin: G.A.S-Station, 2015: 72-73.
– «Inmersión en la diáspora: escritores dominicanos emergentes en EE.UU.» Ottmar Ette/Gesine Müller (Eds.). Paisajes sumergidos – Paisajes invisibles. Berlin: Edition Tranvía/Verlag Walter Frey, 2015: 35-47.
– «Transkulturelles Verhandeln als Schwächung von Bipolarität.» Ottmar Ette/ Uwe Wirth (Eds.). Nach der Hybridität. Zukünfte der Kulturtheorie. Berlin: Edition Tranvía/Verlag Walter Frey, 2014: 55-67.
– «La gastronomía de los US Latinos: abriendo camino a otras artes». Rolf Eberenz (Ed.). Discursos hispánicos sobre alimentación y culinaria. Aproximaciones literarias y lingüísitcas. Madrid: Visor Libros, 2014: 47-67.
– «Transcultural Negotiations. The Case of the US-Latinos». Martin Forstner/Nikolay Garbovsky/Hanelore Lee-Jahnke (Eds.). CIUTI-Forum 2013. Bern: Peter Lang, 2014: 145-157.
– «El mágico aprendiz: instrucciones para fabricar un ejecutivo». Irene Andres-Suárez/Antonio Rivas (Eds.). Luis Landero. Cuadernos de narrativa. Madrid: Arco Libros, 2013: 157-166.
– «Ohne Literatur kein Daiquiri. Enrique Vila-Matas' Konsultation literarischer Klassiker für die praktischen Dinge des Lebens» Ottmar Ette/Yvette Sánchez/Veronika Sellier (Eds.). Lebensmittel. Essen und Tinken in den Künsten und Kulturen. Zürich: diaphanes, 2013: 73-80.
–  «Contratiempos y mareos: el ir y venir de personajes, espacios y ficciones de Vila-Matas». Alain Badia/Anne-Lise Blanc/Mar García (Eds.). Géographies du vertige dans l'oeuvre d'Enrique Vila-Matas. Perpignan: Collection Études, 2013: 245-258.
–  «Formen der Symbiose in Literatur und Kunst der 'US Latinos'».Ottmar Ette (Ed.). Wissensformen und Wissensnormen des Zusammenslebens. Berlin/Boston: De Gruyter, 2012: 173-191.
–  «La retrospección abriéndose camino. Los EE.UU. como interfaz de los latinos caribeños». Ottmar Ette/Anne Kraume/Werner Mackenbach/Gesine Müller (Eds.). El Caribe como paradigma. Convivencias y coincidencias históricas, culturales y estéticas. Un simposio transareal. Berlín: Verlag Walter Frey, 2012: 189-202.
–  «New Transcontinental Configurations: The US Latinos». Aline Helg/Claude Auroi (Eds.). Images of Latin America, 1810-2010: Legacies and Dreams. London: Imperial College Press, 2012: 101-122.
–  «Los múltiples refugios de Bernardo Atxaga». I. Andrés-Suárez /A. Rivas (Eds.). Bernardo Atxaga. Madrid: Arco Libros, 2011: 103-113.
–  «'La fiesta del Chivo' como pantalla de proyecciones peruanas». Janett Reinstädler (Ed.). Escribir después de la dictadura. La producción literaria y cultural en las posdictaduras de Europa e Hispanoamérica. Madrid/Frankfurt: Iberoamericana/Vervuert, 2011: 317-326.
–  «Naufragio con espectador. 'De derrota en derrota, hasta la derrota final'. El fracaso como figura poética existencial de las letras hispánicas». Humboldt 155. Bonn: Goethe Institute, 2011, n.º 1: 16-19.
–  «Palabras 'puestas a secar': Transferencias en la lírica de Ana Merino». I. López Guil/J. Talens (Eds.). El espacio del poema: Teoría y práctica del discurso poético. Madrid: Biblioteca Nueva, 2011: 235-245.
–  «Relevo generacional en Miami: del sustrato cubano a nuevas capas latinas». Andrea Gremels/Roland Spiller (Eds.). La Revolución revis(it)ada. Tübingen: Gunter Narr, 2010: 123-136.
–  «Sammler essen Sammler auf». Christoph Doswald (Ed.). Press Art. Sammlung Annette und Peter Nobel. Bern: Stämpfli Verlag AG, 2010: 108-109.
–  «O rio como figura de pensamento poético-cultural». Pablo Diener/Maria de Fátima Costa (Eds.). «Rios e História,» Ediçao Especial Documento Monumento, vol. 3 nº 1, December 2010: 10-20.  Zeitschrift der Universidade Federal de Mato Grosso (Brasilien).
–  «Foco Interculturalidade». Swisscam Magazine 10. 2010 (2010), Nr. 62: 28-29.
–  «Nanofilología. Miniaturización fractal». Iberoamericana. Madrid: Iberoamericana/Vervuert, Nr. 36, December 2009: 143-152.
–  «Paralela que te quiero paralela: poética fractal». Marie Burkhardt/Annatina Plattner/Alain Schorderet (Eds.). Parallelismen. Parallélismes. Paralelismos. Literatur- und kulturwissenschaftliche Beiträge zu Ehren von Peter Fröhlicher.Tübingen: Gunter Narr Verlag, 2009: 171-179.
–  «Una red de conspiradores del fracaso». Frankfurter Studien zu Iberoromania und Frankophonie, Band 1 (in collaboration with Roland Spiller). Tübingen: Gunter Narr/A. Francke, 2009: 239-251.
–  «Enrique Vila Matas. Doctor Pasavento». Thomas Bodenmüller/Thomas M. Scheerer/Axel Schönberger (Eds.). Romane in Spanien 1975-2005. Band 2. Frankfurt am Main: Valentia, 2009: 341-357.
–  «Störfaktoren als schöpferisches Prinzip». Adi Blum/Beat Mazenauer (Eds.). Misunderstanding, Konferenz-Dokumentation, IETM Meeting, Zürich,  November 6-9, 2008.
–  «Interkulturelles Management: Erklärungsansätze aus einer kulturwissenschaftlichen Perspektive». alma. Das Alumni-Magazin der Universität St.Gallen. Nr. 2, 2008: 3-5.
–  «Transgresiones finiseculares en las Sonatas de Valle-Inclán». Versants, Revista Suiza de Literaturas Románicas. Número 55:3 (fascículo español). Genf: Slatkine, 2008: 145-160.
–  «Juego de dimensiones». Irene Andres-Suárez/Antonio Rivas (Eds.). La era de la brevedad. El microrrelato hispánico. Actas del IV Congreso Internacional de Minificción, Universidad de Neuchâtel,  November 6-8, 2006. Palencia: Menoscuarto Ediciones. 2008: 231-244.
–  «Nanophilologie - fraktale Miniaturisierung». Ottmar Ette (Ed.). Nanophilologie. Literarische Kurz- und Kürzestformen in der Romania. Tübingen: Max Niemeyer Verlag. 2008: 9-19.
–  «Der bessere Fehler - als Programm oder Fatum». Felix Philipp Ingold/Yvette Sánchez (Eds.). Fehler im System. Irrtum, Defizit und Katastrophe als Faktoren kultureller Produktivität. Göttingen: Wallstein Verlag. 2008: 21-34.
–  «11 Spieler suchen einen Autor». Friedhelm Schmidt-Welle/Gregor Wolff (Eds.). Fussball, Fans und Literatur/Fútbol, afición y literatura. Berlin: Ibero-Amerikanisches Institut (ibero-online Heft 6), April 2008.
–  «Batman entre las mariposas. Arte coleccionista o el riesgo de transgredir el orden». Carlos Pazos - No me digas nada Ausstellungskatalog Barcelona: MACBA (Museu d'Art Contemporani de Barcelona) und Museo Nacional Centro de Arte Reina Sofía, 2007: 257-277.
–  «La literatura de fútbol, ¿metida en camisa de once varas?» Iberoamericana. Madrid: Iberoamericana/Vervuert, Nr. 27, March 2007: 131-142.
–  «Clara Janés, 'Piedra de rayo' Lapidario». Itzíar López Guil/Rita Catrina Imboden/Dolores Romero López, Cristina Albizu Yeregui (Eds.). Seis siglos de poesía española escrita por mujeres. Pautas poéticas y revisiones críticas. Bern: Peter Lang, 2007: 405-412.
–  «Ballkontakt. Die hispanische Fussballliteratur zwischen Verklärung und kritischer Distanz». Wolfgang Muno/Roland Spiller (Eds.). Diskurse rund um den lateinamerikanischen Fussball. Veröffentlichungen des Interdisziplinären Arbeitskreises Lateinamerika. Band 3. Mainz: Johannes Gutenberg-Universität, 2007: 42-56.
–  «Discursos caudalosos». Memoria de los ríos, ríos de memoria. Actas del Coloquio Internacional 2002. Poitiers: Centre de Recherches Latino-Américaines, 2007: 170-185.
–  «El arte de cortarse las uñas. Ritos de paso en las novelas de Álvaro Pombo». Irene Andres-Suárez/Álvaro Pombo (Eds.). Cuadernos de Narrativa VII. Neuchâtel: Universität Neuchâtel, 2007: 151-161.
–  «Teatro transicional, entre el compromiso y el experimento». Javier Gómez-Montero (Ed.). Memoria literaria de la Transición española. Actas del Congreso en Berlín, de 4 al 6 de junio de 2003. Madrid/Frankfurt am Main: Bibliotheca Ibero-Americana/Vervuert. 2007: 136-147.
–  «Vom Wallis bis Wallisellen. Schweizerdeutscher MundArt-Pop am Beispiel 'Stiller Has'». Ottmar Ette/Joseph Jurt/Yvette Sánchez (Hrsg.). Die Schweiz ist Klang. Basel: Schwabe & Co., 2007: 73-87.
–  «Pendeln in interamerikanischen Kulturkontaktzonen». TRANS Internet-Zeitschrift für Kulturwissenschaften, Eds. Herbert Arlt et al., Nr. 16, June 2006.
–  «Sammlung essen Sammler auf». Bern: MEMORIAV BULLETIN, Nr. 13, June 2006: 32-33.
–  «Zonas de contacto cultural interamericano». Nicole Fourtane/Michèle Guiraud (Eds.). L'identité culturelle dans le monde luso-hispanophone. Nancy: Presses Universitaires de Nancy, 2006: 489-499.
–  «Verdichteter kultureller Austausch in Kontaktzonen. Die 'Lateinamerikanisierung' der Vereinigten Staaten»  John Neubauer/Jürgen Wertheimer (Eds.). Arcadia. Zeitschrift für Allgemeine und Vergleichende Literaturwissenschaft. Band 40, Heft 2. Berlin/New York: Walter de Gruyter, 2005: 338-353.
–  «Wider den Schwadroneur. Cadalsos Los eruditos a la violeta». Michael Einfalt/Ursula Erzgräber/Ottmar Ette/Franziska Sick (Eds.). Intellektuelle Redlichkeit/Intégrité intellectuelle. Literatur-Geschichte-Kultur. Festschrift für Joseph Jurt (Studia Romanica, Band 125). Heidelberg: Universitätsverlag Winter, 2005: 137-144
–  «Ästhetik des Zerrspiegels. Ramón María del Valle-Incláns 'Esperpento' und Miguel De Unamunos 'Bufo trágico' in Spanien nach 1898». Roger Müller Farguell (Ed.). Das Groteske/Le Grotesque. Colloquium Helveticum, Fribourg: Paulus Verlag/Academic Press, 35/2005: 203-223.
–  «Cataluña desde el Mal. Travesías sobre los Bartlebys de Enrique Vila-Matas». Jordi Pardo Pastor (Ed.). La novela en Cataluña 1950-2000. Crítica hispánica. Pittsburgh: University of Pittsburgh Press, 2005: 85-102.
–  «Enrique Vila-Matas. Bartleby y compañía». Thomas Bodenmüller/Thomas M. Scheerer/Axel Schönberger (Eds.). Romane in Spanien 1975-2000. Band 1. Frankfurt am Main: Valentia, 2004: 315-327.
–  «El ritmo como paradigma estético del teatro español actual». María Francisca Vilches de Frutos/Wilfried Floeck (Eds.). Teatro y sociedad en la España contemporánea. Frankfurt: Vervuert, 2004: 241-245.
–  «La mirada invisible». La poética de la mirada (zusammen mit Roland Spiller). Madrid: Visor, 2004: 197-206.
–  «De miradas indiscretas y textos invisibles». Irene Andres-Suárez/Enrique Vila-Matas (Eds.). Cuadernos de Narrativa VI. Neuchâtel: Arco Libros, 2004: 59-68.
–  «Rios discursivos. Zum Flussmotiv in der portugiesischsprachigen Literatur». Romanistische Zeitschrift für Literaturgeschichte. 28. Jahrgang. Heft 3/4. 2004: 483-496.
–  «Construcción intercultural en la literatura epistolar del siglo XVIII». Literatura Española: Siglos XVIII, XIX, XX. Actas del XIV Congreso de la Asociación Internacional de Hispanistas 2001, City University of New York, Volume III. Madrid: Juan de la Cuesta-Hispanic Monographs, 2004: 537-544.
–  «Posdata para Miguel Sánchez-Ostiz». Quimera. May 2002: 38-43.
–  «Buero Vallejo intermedial». Herbert Fritz/Klaus Pörtl (Eds.). Teatro contemporáneo español postfranquista II. Berlin: Tranvía, 2002: 22-30.
–  «Un round de littérature française et la boxe». Numéro thématique Sport et littérature. Versants 40. Lausanne: 2001: 161-172.
–  «El discreto encanto de la asimetría». Irene Andres-Suárez/Juan José Millás (Eds.). Cuadernos de Narrativa IV. Zaragoza: Libros Pórtico, 2001: 77-89.
–  «De bibliófilos culpables y lectores inocentes en El club Dumas». José Manuel López de Abiada/Augusta López Bernasocchi (Eds.).Territorio Reverte. Ensayos sobre la obra de Arturo Pérez-Reverte. Madrid: Verbum, 2000: 426-438.
–  «'Esta isla se vende': proyecciones desde el exilio de una generación ¿desilusionada?». Ottmar Ette/Janett Reinstädler (Eds.). Todas las islas la isla. Nuevas y novísimas tendencias en la literatura y la cultura de Cuba. Madrid/Frankfurt: Iberoamericana/Vervuert, 2000: 163-176.
–  «Titel als Mittel. Poetologie eines Paratexts». Arcadia. Zeitschrift für Allgemeine und Vergleichende Literaturwissenschaft, Band 34, Heft 2. Berlin/New York: Walter de Gruyter, 1999: 244-261.
–  «Schweigen in Bernarda Albas Haus. Vom Sprechtheater zum Tanztheater». Programmheft, Theater Basel, 1999: 23-32.
–  «'El otro, el mismo'. Construcción de una identidad artística unívoca». Alfonso de Toro/Fernando de Toro (Eds.). El siglo de Borges. Vol I: Retrospectiva - Presente - Futuro. Homenaje a Jorge Luis Borges en su Centenario, TCCL, 19. Madrid/Frankfurt: Iberoamericana/ Vervuert, 1999: 301-311.
–  «Fines de siglo: para digerir el acopio de bienes culturales». Guaraguao. Revista de Cultura Latinoamericana 8. Barcelona: 1999: 26-38.
–  «El coleccionista. Casos literarios de una locura benigna». Locos, excéntricos y marginales en las literaturas latinoamericanas. Actas del Coloquio Internacional 1996. Poitiers: Centre de Recherches Latino-Américaines, 1999, Band II: 50-64.
–  «Prefacio». Beatrice Schmid/Montserrat Ollé (Eds.). La novela policíaca en la Península Ibérica. Actas del Coloquio Internacional de Basilea. January 30.-31, 1998, ARBA 10. Basel: Romanisches Seminar, 1998: 11-16.
–  «COLLIGERE/LEGERE. El Paraíso en una biblioteca privada». Maria Antonietta Terzoli (Ed.). Colloquium zu Ehren von Germán Colón, February 14,1997. ARBA 9 Basel: Romanisches Seminar, 1998: 47-55.
–  «Recursos de suspenso en las novelas de Antonio Muñoz Molina». Irene Andres-Suárez (Ed.). Cuadernos de Narrativa II. Neuchâtel: Universität Neuchâtel, December 1997: 93-106.
–  «Ein Baum ist ein Baum ist ein Baum». Begleitpublikation zur Ausstellung nebenher gehen von Schweizer Künstlern (May-June 1995) im Wenkenpark, Riehen-Basel
–  «Mutis Mutatis Mutandis...Hopper, Conrad y Pratt». VERICUETOS 11. Paris 1995: 268-284.
–  «Rapunzels Überreste / Gabriel García Márquez und die Kritiker» [zwei Artikel über Del amor y otros demonios und Doce cuentos peregrinos]. Basler Magazin, August 27, 1994.
–  «No en vano, de segunda mano. Referencias a las artes en escritoras españolas de hoy». La novela española moderna. Actas de las Jornadas Hispánicas 1993, ARBA 4 Basel: Romanisches Seminar, 1994: 31-52.
–  «Un ramo de rosas para Don Luis». Estudios de literatura y lingüística españolas. Miscelánea en honor de Luis López Molina. Lausanne: HISPANICA HELVETICA 4, 1992: 36-43.
–  «Passagers en transit vers la terre promise. Migration in der inselkaribischen Prosa». Lendemains 67. Maarburg: Hitzeroth-Verlag, 1992: 519-528.

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